My sibling, Autumn, and I arrived at the rally for the first Indigenous Peoples’ March with our hearts full and our spirits high. After an unexpectedly long journey navigating the public transit schedule from Baltimore, we were eager to join the demonstration. The day’s march had settled on the plaza of the Lincoln Memorial to raise awareness for missing and murdered indigenous women.
Indigenous women are one of the most vulnerable populations in this country; they are disproportionately affected by domestic violence, sexual assault, murder, human trafficking, and kidnapping. We had come to represent the women from our own Mvskoke family who are victims of these crimes. And through the January cold, we were greeted with the kind of immediate affection and welcome that is so often reserved for family.
By now, you have probably seen the video of what came next. There were just a few of us left at that point, chatting and lingering on the steps of the memorial. Across the square, a large group began to form, full of young boys in red hats and red shirts. All of it emblazoned with that tired slogan many of us now wearily associate with white supremacy, racism, xenophobia, and fascism. I had never seen so much MAGA apparel in the flesh until then.
As more of the “MAGA teens” flooded the plaza from behind us, our small group of remaining demonstrators moved forward, away from them. We were following Nathan Phillips, who played his drum with confidence and courage, and sang a sacred prayer for peace — to de-escalate the growing nervousness on the plaza. It was Nathan who’d lead us in the circle dance. A tall man with a drum and voice like his is hard to miss. And now the MAGA boys noticed Nathan, too.
From that point, things escalated quickly. We were surrounded by the boys, and we were alarmingly outnumbered. As we attempted to continue our path and move through the crowd, the boys closed in around us, until finally, one particular boy stood in front of Nathan and refused to let us pass.
Nathan stopped walking, but he kept singing and playing his drum — staring right into the smirking boy’s eyes. We all huddled around him as the other boys began to push, prod, and bump us into a tighter and tighter cluster. They were mocking Nathan’s sacred music with purposefully disrespectful dancing and a perverted imitation of his singing. Their imitations were the racist tropes of “Indian chants” — the stereotypical grunting and “hiyahiyahiyas” of representations past.
But Nathan was steadfast. His drumming was constant and he exuded calm, grace, stability. He was unshaken. And it was his example that kept us all together. His singing, his drumming, his prayer. When we were surrounded by the sneering, jeering crowd, his voice was the one I latched onto. The boys alternated between their mock chanting and breaking out into familiar chants.
“Build the wall!”
“Gone in 2020!”
As tensions grew over the course of the encounter, I pulled out my phone, along with several others. Our videos became the documentation of this latest example of bigotry against indigenous lives. But make no mistake, it is not the first, and sadly it will probably not be the last.